![]() After all, how would one categorize "A Clockwork Orange"? Is it horror? Yes. The genre in which the story falls is not nearly as important as the story itself. The motivation for this, of course, lies in commerce, as well as questionable (and outdated) notions about the consumer mind.īut this can be an unfair burden, as writers are far less compartmentalized in their thinking. ![]() They want a writer’s work to fit neatly into a specific genre. Publishers love categories, as do bookstores. ![]() Lyndsay Faye (The Gods of Gotham, Dust and Shadow)Ĭharles Johnson (Middle Passage, Oxherding Tale)įROM THE INTRODUCTION BY ANTHOLOGY EDITOR, GREG KISHBAUGH: Louis Bayard (The School of Night, The Black Tower) Matthew Pearl (The Dante Club, The Technologists) Lansdale (Edge of Dark Water, Bullets and Fire) Sixteen new supernatural short stories from bestselling authors. Where Literature and the Supernatural Meet ![]()
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